issue 4 - contagion and the diseases of information

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Abstracts

 

Living Dead Networks

Eugene Thacker

Digital Monsters, Binary Aliens – Computer Viruses, Capitalism and the Flow of Information

Jussi Parikka

Marginal Networks: The Virus between Complexity and Suppression

Roberta Buiani

Rhythmic Parasites: A Virological Analysis of Sound and Dance

Stamatia Portanova


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Abstracts

Eugene Thacker - Living Dead Networks

This essay explores, through a series of condensed modules, the ways in which contagion operates in both biological and informational networks.Through an examination of the fields of information security and medical surveillance, computer viruses and mathematical epidemiology, and pathogenic information and informed pathogens, this essay asks how the political relation between 'control' and 'emergence' is formed in networks in which the distinction between information and biology breaks down.

Jussi Parikka - Digital Monsters, Binary Aliens – Computer Viruses, Capitalism and the Flow of Information

This article deals with articulations of digital accidents, focusing especially on how the computer virus has been signified as a problem for national security, international commerce and the individual user. However, at the same time as viruses have since the 1980s been constructed as malicious software threatening the very basics of the network society, they have been captured as part of the consumer capitalist system, exemplified e.g. in the rise of anti-virus industry. Thus, the article argues that capitalism itself is viral, functioning through a constant reshifting of its limits. Capitalism proceeds per se via these accidents and disruptions that it at the same time constructs as its enemies. In this sense, computer viruses and worms can be understood as the general accidents of digital capitalist culture.

Roberta Buiani - Marginal Networks: The Virus between Complexity and Suppression

'Virus talk' has become very fashionable lately. Our culture of fear suggests to us that we constantly and exclusively refer to viruses as negatively connoted, harmful or potentially dangerous. I argue that despite the prevalent publicising of harmful features, viruses contain a somewhat hidden complexity that has been often overlooked or neglected. In this essay, viruses are examined in a number of artistic interventions that exploit them for political and/or purely aesthetic purposes. The examples elucidate the significance of viruses as cultural notions as well as the existence of a contradictory and conflicting relation between their so-called potentialities and their negative reputation.

Stamatia Portanova - Rhythmic Parasites: A Virological Analysis of Sound and Dance

This article analyses the contagious spread of rhythm across the physical,cultural and technical levels of the dancing body. The first analytical level maps the bio-physical diffusion of rhythm in the cellular population of the human body. The second level follows the diffusion of rhythm, sound and dance rituals across social and geographic limits. The third level shows how the development of new digital technologies of rhythmic engineering (such as digital sound systems) allows the microscopic control of physical potential and social mobility (for example in dance clubs), but also the simultaneous emergence of autonomous, self-organised physical and social events (for example at rave parties).